With a solid international network, the result of constant dialogue with some European cultural institutions and organizations in the city, and the experience of a scientific committee made up of Campania professionals active in the film industry and specialized in the creation of promotional events, the festival encourages the public to take a broader, more analytical, alternative, inclusive point of view on contemporary cinematography, raising awareness in particular on female creativity and entrepreneurship that still today struggle to find the right recognition and value. The festival intends to present a selection of important films that have not been adequately promoted in Italy, or that have not managed to reach our audience, through an ad hoc dissemination intervention, giving the public back the magic of meeting in a key place for film dissemination: the theater. There are an increasing number of films directed by female authors, often awarded at major international festivals, testifying not only to female talent and creativity, but also to the recognition of the value of these works in the world authorial panorama. If we take into account that in general terms the cinema produced and directed by women is far inferior to that produced by men (in Italy we are talking about 12% of the total, in France and other European countries female production does not exceed 25%), this data is even more significant. In particular, an extraordinary common denominator is evident in the works of female origin: a directorial approach inspired by naturalness, truthfulness of narration, empathy with the actors and actresses and a writing particularly sensitive to the sphere of emotions. The result is a delicacy of the story, a different way of looking at the characters and of conducting the narration with traits almost unknown to the general public. This artistic strength, now recognized among professionals, does not correspond to an adequate and effective distribution to the public of the works shot by female authors – a problem that afflicts authorial and European works more generally – and which in the year of the pandemic has created a rift between cinema and the public that will have to be filled with great effort, also by promoting more specific distribution measures.